Striving for imperfection

Is there any better way to dunk on Virgos than writing about subverting perfectionism in September? (Narrator: There is not.) I’m kidding, Virgos. My cat, who just celebrated his 18th birthday, is also a Virgo.

The refusal to accept any standard short of perfection has its benefits and major challenges is a common theme among Virgos and other humans. The benefit is it can motivate you to do top quality work. However, this can be counter-productive, inducing a lot of anxiety, fears, and insecurities.

Perfectionism is a personality trait characterized by a person’s striving for flawlessness and setting high-performance standards, accompanied by critical self-evaluations and concerns regarding others’ evaluations. This can create analysis paralysis and you may never put your idea in motion. Psychologist David Burns once said, “Reaching for the stars, perfectionists may end up clutching at air.” People often don’t launch their ideas because of what they might face as it transitions from idea to reality as a result of this fear. Sometimes you’re trying to refine something so much in your head that you later learn that someone else went and did your idea.

Sharing ideas is extremely hard. It puts you in a vulnerable space. When you keep ideas to yourself, there is no risk of critique or reaction. It’s perfect in your mind. When you create something and put it out to the world, you face critique. It’s tough to launch that app idea, only to find out it’s something nobody wanted and failed. It’s also hard to put yourself out there in a world where things are portrayed in the most idealistic. Open Instagram and within seconds you’ll often encounter perfectly staged narratives. How would you ever reach that standard?

Becoming the imperfectionist

In 2006, the world was introduced to blonde hair and blue-eyed James Bond in Daniel Craig. For those who are familiar with the Ian Fleming character, James Bond has always been portrayed as hyper-masculine, smooth, and suave. Aside from the ocean-blue eyes and blonde hair, Daniel Craig’s portrayal of Bond was different. It was brutal, rugged, and inelegant.

(Spoiler alert: there’s a scene where Bond orders a drink)

Bond: Vodka martini
Bartender: Shaken or stirred?
Bond: Do I look like I give a damn?

This is a rough cut of Bond. He doesn’t care about being smooth; that the job is done (In no ways am I saying Daniel Craig is imperfect). I’ve always looked at the Daniel Craig James Bond as a metaphor for being more real and unrefined in order to achieve results. Though I care about doing high-quality work, I am far from a perfectionist. My style of getting there is very rugged and often by brute force. As the saying goes, “A ship in harbor is safe, but that is not what ships are built for.” This is what Proof of Concept is about; encouraging you to get those ideas out to exist in the world so you can refine it.

The other end of the spectrum of a perfectionist is often defined as an Optimalist. This comes from the Latin word Optimus, which means both “best” and the fearless leader of the Autobots in the Transformers series.

Filling the white space

In art school, I was trained to get rid of all the white space on the canvas. In my oil painting classes, I’d apply the techniques of the artists of old like Titian to complete an underpainting, a very low fidelity pass of the entire canvas to shape up the composition. Once you mess it up, you can then refine it. This helps me cope with any sense of perfectionism that might creep in.

There is more hesitance to make a mark on a blank white piece of paper because each stroke can feel like a mistake. When it’s filled, you have less to lose.

The key is you do not have to attain perfection in one iteration.

Iterate the momentum

As Dr. Julie Gurner recently said on Twitter, “What most won’t tell you? It’s not knowing what to do that it is hard…it’s actually doing it, and not allowing yourself to get in the way.”

Building momentum is the most challenging part of doing anything. One of my favorite quotes is from Pixar’s 22 secrets to storytelling: “Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.”

Similar to my painting style, I approach writing the same way; creating mind maps of ideas and unstructured writing to help me get started. The blank canvas often the biggest blocker.

Especially now during COVID-19 where we seem to be perpetually on screens, I take my sketchbook as a way to plan my action. Whether it’s a book idea or a quick note, I scribble on paper to hash the ideas out a bit before focusing on any digital computation. I’ve also found putting thoughts on paper has put my mind at ease and makings me less anxious about any work I do. Since I spend seconds doing quick thumbnails, there is such low risk for me to re-do the work in a better way.

Sharing your drafts to the public

I’ve been so inspired by people on the web who have been sharing concepts out in the open, and I’d like to share two who come to mind. Paige Doherty is a software engineer who is working on a children’s book about venture capital and has been sharing her pen and paper pages of the book. She used Loom as a way to create an intro video to solicit feedback. I cannot wait to see where this book goes! Jordan Singer, a product designer at Square Cash with a background in computer science, has been building his ideas for many years. He created an app called Airport which lets people browse different TestFlight builds of iOS apps that people are building.

These are two of many examples of people putting work out there to get feedback and providing early access. People don’t create things out of thin air like magic. We often feel like it is so because often we don’t see the drafts and iterations. The reason someone has achieved more success is often likely they’ve failed more than you.

Non Finito can be therapeutic

The word “Non Finito” means “not finished” in Italian. I find a lot of benefits doing a “brain dump” of all my thoughts. This type of journaling has helped provide some mental relief by making it tangible and a source to start new ideas.

You don’t even have to show your imperfections to the world if you’re not ready for it, or if you ever are. Putting these thoughts down can help you look at things head-on and be accepting of the imperfections.

“What if I mess up and break something?”

Who cares.

Kintsugi, the art of repairing with gold is the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold, silver, or platinum. As a philosophy, it treats breakage and repair as part of the history of an object, rather than something to disguise.

It is in our imperfections and fragments where we can find a long-lasting beauty we can appreciate in an authentic and sustainable manner. Take a moment, put that idea out there. You might inspire someone to do the same. Together we can iterate more and share it with the universe.

As the artist, Salvador Dali once said, “have no fear of perfection – you’ll never reach it.”

P.S. In the spirit of idea generation on early drafts, I’d love your feedback on what you’d like for me to write about. Simply reply to this email with your idea. I appreciate any suggestions!

Originally posted on Proof of Concept

The ambition of Prometheus

Originally posted on Substack

Today is Christmas. Whether you celebrate it or not, the general masses often enjoy the festivities, especially watching classic holiday movies: Home Alone, A Christmas Story, Jingle All the Way, or Elf. There are plenty to choose from. There is always a person online who makes a case that Die Hard is a Christmas movie because it occurs on the day. Let’s go with that logic and add Batman Returns, and Rocky IV to the list of Christmas movies. Today I’m writing about the greatest Christmas movie—Prometheus. This film released Summer of 2012 marked the return of Ridley Scott to the Alien franchise he birthed nearly forty years prior. At the time, the film had a lot of anticipation and expectation with one of the best trailers ever. I was living in Brooklyn at the time and spent the rainy day seeing it at Nighthawk Cinema in Williamsburg.

The reactions for many people were mixed, or they hated it. To this day, Prometheus is one of the most polarizing films ever. Admitedly, upon first view, I had mixed feelings. However, after many years and re-watches, I’ve found great appreciation for the ambitious film. This isn’t a movie review or an attempt to convince you that Prometheus is a great movie (but it is), it’s a reflection on the lessons we can learn as creators and builders on the ambition of this film.

(Some spoilers if you haven’t seen Prometheus!)

Ambition is admirable

Dom Nero wrote in his Esquire article, It’s Time to Redeem Prometheus: “Like it or not, you’ve got to admire Scott’s audacity in giving us such an expansive new scope for the franchise.” Regardless if people liked the film or not, a common praise everyone gives it is the ambition of what they made. Many prequels deliver lackluster narratives—showing the events the lead up to the original film without expanding the world. A great prequel expands on the world while respecting what came before it, and Prometheus does this in a grand way. In fact, it’s one of the films which content connects Alien to Blade Runner implying they are in the same world.

Ambition is the strong desire to do or achieve something, typically requiring determination and hard work. Ambition is not hustle culture and working hundreds of hours a week, it’s going after a big vision. Ambition enables you to think big, and be confident, and is a shield against adversity you encounter. The two common people humanity roots for are the underdogs and people who chase their dreams, and boy, this Ridley Scott swung for the fences with this one. The baseball players who hit the most home runs are the ones who strike out, and Scott has no fear in striking out epically (have you ever seen The Counselor?). Having an ambitious mindset gives you the grit to keep iterating and confidently continue the great pursuit.

Aesthetics matter, but need to be grounded on more

The visual language of this film is absolutely stunning—something people critical of the film admit as well. Despite appreciation for the aesthetics, the plot holes and narrative challenges couldn’t save the film for people. Without solid grounding and foundations of elements that make an experience successful, visual aesthetics cannot save it.

Designing your worlds

I’m inspired by world-building as it pertains to software development and creativity. A practice often found in film and fiction writing, world-building in a nutshell is about the rules you create in the space of the experience you’re designing and building.

Big things certainly have small beginnings. In my research, which is basically reading articles and watching the commentaries again, I learned the small and big details the team put in the world-building. The original script writer Jon Spaihts talks a lot about the design decisions to hint at the world being built. Spaihts mentioned the design of the helmets the crew wears, which are completely transparent. It’s mentioned that in this world Gorilla Glass innovation would get to the point where it’s stronger than steel, making the design choice glass. The vehicles have a lot of copper, hinting the crew navigates the planet with battery-powered vehicles.

One of my favorite photos of Charlize Theron lounging on set. Notice the almost-transparent helmet.

In addition to the small details that hint at the world, Scott dramatically expanded the scope of what the world could be, always challenging us to think bigger. The aforementioned tiny details hint at a much bigger world. In its core essence, world-building is user experience and how someone interacts with what you build. The more we can have a 30,000 ft and 1px view of that, the more our end users gain.

Destruction is part of the creative process

There is a line in the film said by David, the Android on the ship played by the brilliant Michael Fassbender: “Sometimes to create, one must first destroy.” In issue 117 we talked about the importance of subversion. Destroying something in order to create something new is arguable the greatest act of subversion. I’m not telling you to go delete your codebase tomorrow and start anew, but think about what room needs to be made to create something new. However, there are times that call for the destruction of something in order to create a new foundation.

This is happening in the DC Universe with newly appointed co-CEO James Gunn. As sad as I am that Henry Cavill is no longer Superman, it appears that the former Marvel Studios director and architect for a lot of the cosmic stories are rebooting the world from scratch. You can’t keep a house that’s falling apart because it has one good guest bedroom. You must destroy and start anew. The last few weeks have been a lot about the role of Artificial Intelligence (AI) in software with the release of ChatGPT with OpenAI. The temptation for many might be figuring out how to quickly pivot or tack on a layer of AI to what they’re doing. However, a new innovation or invention like this might require exploring how things are built or created from the ground up.

Prometheus makes us focus on questions and discussion

Prometheus is the classic Five Ws for problem solving. Asking the right questions and having important discussions are key attributes of design and product development. If you spend as much time (or more) discussing the film than the length of the film, it’s notable. It’s here we have to acknowledge that the script rewrite was done by Damon Lindelof, who wrote the series Lost1. If you’ve seen either Prometheus or Lost, you’ll know things rarely get answered in a clear way. This may frustrate a lot of people, but I believe good Science Fiction prompts you to seek the answers yourself.

Recap

  • Be ambitious, deliver, and be fearless of failure
  • Aesthetics are important but alone is not enough
  • Obsess the details of world building
  • Creation requires destruction
  • Focus on the questions, speculate the answers
  • If a narrow space ship rollstowards you, veer to the side so it won’t crush you

Before Prometheus, the 2010s lacked Sci-Fi ambition: Tron: Legacy, Cowboys and Aliens, Battle Los Angeles, Battleship, and Men in Black 3. After Prometheus we saw incredible Sci-Fi titles released such as Gravity, Snowpiercer, Interstellar, Ex Machina, The Lobster, The Martian, Arrival, Blade Runner 2049, Annihilation, and many others. I like to think because of Scott’s ambitious attempt with Prometheus sparked other people to swing for the fences. It’s fitting that the film Prometheus is the Engineer in the opening scene that sacrifices itself to spark life.

If you’ve never seen Prometheus, give it a try. Perhaps you saw it in 2012 in theaters like me and haven’t seen it since—give it another watch. Hint: Prometheus is better if you watch it as a Blade Runner movie than an Alien movie.

Finally, I commend Ridley Scott’s ambition and output at his age. The man is definitely YOLO’ing it. At age 85 Scott has no signal of slowing down. For someone nearer to the end of his life and lost two brothers (including the tragic suicide of Tony Scott the same year Prometheus was released), what does he have to lose in being ambitious? Life is too short and not a promise, so you might as well swing for the fences. As I reflect on 2022 and find a guiding light for 2023, it’s simple: be ambitious and go for broke.